Digital Impasto Painting

As a digital painter, I wanted to find a way to make the brush stroke look real.  When you paint with oil or acrylic and you really load the brush with paint, you get the 3D effect of the thick paint on the canvas.  Trying to recreate that effect in…

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New Oil Painting Brushes

New Oil Painting Brushes

I’ve been testing out some watercolor techniques over the past couple of days, but I also like to do oil or acrylic painting.  I use a clone painting technique with the mixer brush.  If you are interested in my technique, I have a couple of examples on my Behance account…

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Day to Night – Using LUTs

The second technique we will cover in the series on turning day to night will use the color lookup tables or LUTs that also come with Photoshop.  LUTs are used in the video industry but are starting to gain popularity with photography editing as well.  With recent changes to Lightroom…

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Day to Night – Gradient Map Technique

The second series in my compositing tutorials was planned to be lighting techniques.  But as I started documenting the various topics, I realized that the first thing we need to do is make sure the everyone knows a process for converting their images from day to night.  Most compositors that make…

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How to Clone In Perspective

This will be the final article in this series on Perspective.  Before we leave the topic, I wanted to give you a quick example of how this same technique can be used to do a perspective clone within an image.  There are other tools in Photoshop such as the clone…

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Demonstrating When Perspective Doesn’t Match

This is the fourth article in the series on compositing with perspective.  We have covered the basic concepts of perspective, examined how to find the vanishing point and horizon in an image and discussed why the horizon is important.  In this lesson we will demonstrate how to test whether the horizon…

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